Can you draw a heart? Not an I love you
heart, a real ventricles and all heart? No? Maybe because you haven't
seen one? I have, but I couldn't do it justice. The peak of my
artistic talent came age 5 when I won a Disney drawing competition at
school. Apparently my skillz with a crayon perfectly captured the
true essence of Goofy. They displayed it in the local gallery. I
could have been a contender. Now my stick men look forlornly out from
the page, despairing with a wonky eye at my inability to endow them
with legs of equal length. Sorry Bert.
One man who could definitely draw a
symmetric stickman and a decent heart, though he probably never drew
Goofy, was Leonardo Da Vinci. It's a name that conjures images of
incredible inventions and divine paintings of deities, but Leonardo
was also a connoisseur of corpses. He was an anatomist. Arguably the
most accomplished anatomist, not only of his time, but ever. He
described structures which weren't mentioned in the medical
literature for another two to three centuries. Some of these findings
were documented on paper, but others he painstakingly scratched into
metal plates capturing every sinew of muscle and snaking nerve. What
impresses even more than this raw artistic talent is the scale of his
ambition. In the outline for his treatise on anatomy, he planned to
trace every blood vessel, document every type of smile, and describe
not only the form, but function of almost every structure in the
human body.
One of Leonardo's most inspired
attempts to understand function came in 1512, when he filled an ox
heart with molten wax. From this he made a glass model of the heart
and then pumped a grass seed suspension through it. Observing the
turbulent movement of this suspension through the aortic valve
Leonardo realised that the valve prevented blood re-entering the
heart. This breakthrough flew in the face of how the world saw the
circulatory system. It was widely believed that the venous and
arterial systems were not linked, and that the heart simply pumped
blood out and then sucked it back in. Now Leonardo Da Vinci, a genius
by any standards, held in his hands evidence of how the heart worked.
Surely this was a pivotal moment in medical science? Erm, no.
Leonardo's mind, capable of such incredible leaps and bounds, could
not release itself from the dogma of the day. Instead he scrabbled
around for ways blood could re-enter the heart from the aorta,
postulating ideas such as porous valves. Genius fail.
His mind remained shackled to this
falsehood until his death in 1519, and with him died his drawings and
discoveries. His collection was lost to the world for almost 400
years and by the time it was uncovered the knowledge it contained had
been pieced together by Andreas Vesalius and other anatomists. The
moral of this tale? Don't live with the results of other people's
thinking, publish before you perish and even geniuses lack self
belief.
As sad an ending as this is, it doesn't
detract from the fact that Leonardo's drawings remain jaw droppingly
awe inspiring 500 years on. I doubt anyone will be marvelling at my
stickmen in 500 years. Sorry Bert.
If you want to marvel at Leonardo's
handiwork, its on display at the Queen's Gallery until October 7th.
If you don't live in London, or you don't want to pay the £10 entry
fee, their website has a few examples online. Well worth a peek.